[an original Marshall Supa Fuzz]
[three original Vox Tonebenders]
[a Tonebender MKII circuit with Mullard OC81 germanium transistors]
And here's a receipt for Jimmy Page's Tonebenders from SolaSound!
And here's a video of the D*A*M Tonebender MKII Professional in action, I think you'll agree it sounds pretty mind/ear/sense destroying:
Now here's the schematic. Here you can see the three transistor layout. As with any simple fuzz circuits the transistor type and gain is a huge factor in deciding the overall tone of the unit. It's recommended that the gain of Q1 ~ 70hfe with Q2 ~ 70-90hfe and Q3 ~ 100-120hfe. I've built many Tonebenders with many different type of transistors. Always use a germanium transistor for Q1, then you can experiment with low gain silicon transistors. Experiment and have some fun, you'll certainly find a decent fuzz tone or two! For some more detail on exact circuit operation and mods visit: http://fuzzcentral.ssguitar.com/mkII.php
References:
1) http://www.led-zeppelin.org/joomla/studio-and-live-gear/312
2) http://fuzzcentral.ssguitar.com/mkII.php
3) http://www.stompboxes.co.uk/History.html
4) http://theheliopolisofblossius.wordpress.com/2011/06/12/tone-bender-mkii-build/







hey,
ReplyDeletewhat i found is that the 100k pulldown at the input makes a tremendous difference to the available gain (and possible harshness). I read that the OC81Ds were fairly low gain (lower than you described) and had the 100k, whereas the OC75s were higher gain (probably within the "perfect" range) and had a 10k. Try your tonebender with a 10k, it will tame it alot and make the whole range of the fuzz control more useful. then adjust to taste, 20k, 50k, etc...
cheers